GoingManual.com Forum Index GoingManual.com
It's time to take control!
 
 HomeHome    TurorialsTutorials    Photography ForumsPhotography Forum 
Photography Tutorial

Introduction

Part I – Gear

The Camera
 -  Focus
 -  Resolution
 -  MegaPixels Vs Print Size
 -  Sharpening

Semi auto settings
 -  Aperture Priority (Av)
 -  Shutter priority (Tv)

Zoom and Focal Length
 -  A Note About Sensor Size

Other Camera Features
 -  Viewfinders
 -  Lens Hood
 -  LCD screen
 -  White Balance

Extra Equipment
 -  Tripod
 -  Cable Release
 -  Filter systems
 -  Polarizer and ND filter
 -  External Flash
 -  Studio Lighting
 -  Reflectors

Part II – Capturing The Scene

Your First Manual Photo
 -  It's All About Exposure
 -  The Light Meter
 -  Exposure Explained
 -  Controlling Exposure

Creative Effects
 -  Aperture and Depth Of Field
 -  DOF Preview
 -  Shutter speed

Putting it all Together
 -  ISO
 -  Ap. & Shutter Relationship
 -  Stop for a minute
 -  So What?
 -  The Bulb Setting

Metering the Scene
 -  18% of Everything

Metering modes
 -  Matrix
 -  Average
 -  Center weighted
 -  Spot or semi-spot

Taking Meter Readings
 -  Expose for your subject
 -  Sunsets and sunrises
 -  Reflecting sun
 -  Night Exposures
 -  Moon
 -  Green Foliage
 -  Bright or White Scenes
 -  Dark or Black Scenes

Understanding Your Histogram
 -  Flash Metering

Composition

Lead in The Viewer Eye
 -  Point of Focus
 -  Fill the frame
 -  The Rule of Thirds
 -  Moving Subjects
 -  Print and frame Sizes

Different Styles

Learn by doing
 -  Giving and Getting Critique
 -  Portraits
 -  Groups
 -  Children
 -  Shooting Outdoors
 -  Silhouettes
 -  Macro
 -  Products
 -  Landscapes
 -  Sports and Action
 -  Panning
 -  Rear Sync Flash
 -  Abstract
 -  Long Exposures
 -  Black and White

A few Other Useful Things
 -  Blown Out Skies
 -  Neutral Density Filters
 -  Polarizing Filters
 -  Electronic noise

You're Half Way There!

Part III The Digital darkroom

 -  Computer hardware
 -  Card Reader
 -  Printers
 -  Mouse

Post Processing
 -  The Ethics of Altering
 -  Choosing Your Program

 -  Tutorials
 

Photoshop Tutorials
 Photoshop Primer
 Saving Your Image
 Adding a Border
 Using Levels
 Using Curves
 The S-Curve
 Correcting White Balance
 Improving Saturation
 The Clone Tool
 Correcting Lens Distortion
 Blending Multiple Images
 Black and White Conversion
 Sepia Conversion
 Reducing Noise
 Cropping for Different Print Sizes
 Sharpening
 Working With RAW Files
 

The Gimp Tutorials
 The Gimp Primer
 Saving Your Image
 Adding a Border
 Using Levels
 Using Curves
 The S-Curve
 Correcting White Balance
 Improving Saturation
 The Clone Tool
 Correcting Lens Distortion
 Blending Multiple Images
 Black and White Conversion
 Sepia Conversion
 Reducing Noise
 Cropping for Different Print Sizes
 Sharpening
 Working With RAW Files
 
<< Part I - Gear Semi-Auto Settings >>

Resolution




A 3Mp, 6Mp and 8Mp relative comparison
Resolution
No, not your annual promise to jog every day to a salvation army soup kitchen, while learning the guitar, not buying cigarettes and spending less. A completely different kind of resolution, that's much easier to achieve.

Resolution is a count of the number of pixels. Pixel is short for picture element, using the abbreviation 'pix' for 'picture'. Pixels are the colored dots that make up the image. It follows that the more dots there are in a given area, the more realistic you image will be when viewed at a greater size. Today you'll see typical resolutions of between 5 and 12 megapixels, or Mp for short. More megapixels will allow you to print the image at a greater size. There isn't much difference between 6Mp and 8Mp so don't let that be a deciding factor when choosing your camera. Look at the features, read reviews and let the number of megapixels be one of the deciding factors, not the only one.


MegaPixels Vs Print Size
The number of megapixels relate directly to how large a digital file can be printed. The other factors governing the final print are D.P.I and quality. D.P.I. stands for dots per inch. More dots equals more detail and so higher quality. 72 DPI will not look great, unless viewed from a distance, and the drop in quality will be noticeable. The trade off is a much larger print size. Simply put, more megapixels means you can print bigger.

Megapixels Pixel dimensions Just acceptable* 72 D.P.I. Reasonable* 150 D.P.I. Very Good* 200 D.P.I
1 1225 x 816 17 x 11 8 x 5 6 x 4
2 1732 x 1155 24 x 16 12 x 8 9 x 6
3 2121 x 1414 30 x 20 14 x 9 11 x 7
4 2449 x 1633 34 x 23 16 x 10 12 x 8
5 2739 x 1826 38 x 25 18 x 12 14 x 9
6 3000 x 2000 42 x 28 20 x 13 15 x 10
7 3240 x 2160 45 x 30 22 x 14 16 x 11
8 3464 x 2309 48 x 32 23 x 15 17 x 12
9 3674 x 2449 51 x 34 24 x 16 18 x 12
10 3873 x 2582 54 x 36 25 x 17 19 x 13
*Dimensions in inches


Print publications require high quality 300 D.P.I. But 200 D.P.I. will provide very acceptable quality for all but the most demanding gallery exhibitions.

There is a difference between an 8Mp DLSR and an 8Mp fixed lense camera. Fixed lense cameras usually have similar size bodies but smaller sensors e.g. the Sony DSC-F828 - a so called 'prosumer' (professional/consumer) camera looks very much like an SLR. The sensor size however, is just 8.8mm x 6.6mm compared to the 23.7mm x 15.6mm of a Nikon D50. The very small sensor suffers more from electronic noise, a grainy effect in the image caused by electronic interference, as the sensor records what is sees.


Sharpening

Sharpening can be done 'in-camera' and point and shoot models don't usually have the option to turn this off. I set mine to zero in-camera and always sharpen in post processing.





<< Part I - Gear



Semi-Auto Settings >>



All Content on this site © 2007 Simon Andrews
Please ask for permission before reproducing GoingManual.com content in any way