GoingManual.com Forum Index GoingManual.com
It's time to take control!
 
 HomeHome    TurorialsTutorials    Photography ForumsPhotography Forum 
Photography Tutorial

Introduction

Part I – Gear

The Camera
 -  Focus
 -  Resolution
 -  MegaPixels Vs Print Size
 -  Sharpening

Semi auto settings
 -  Aperture Priority (Av)
 -  Shutter priority (Tv)

Zoom and Focal Length
 -  A Note About Sensor Size

Other Camera Features
 -  Viewfinders
 -  Lens Hood
 -  LCD screen
 -  White Balance

Extra Equipment
 -  Tripod
 -  Cable Release
 -  Filter systems
 -  Polarizer and ND filter
 -  External Flash
 -  Studio Lighting
 -  Reflectors

Part II – Capturing The Scene

Your First Manual Photo
 -  It's All About Exposure
 -  The Light Meter
 -  Exposure Explained
 -  Controlling Exposure

Creative Effects
 -  Aperture and Depth Of Field
 -  DOF Preview
 -  Shutter speed

Putting it all Together
 -  ISO
 -  Ap. & Shutter Relationship
 -  Stop for a minute
 -  So What?
 -  The Bulb Setting

Metering the Scene
 -  18% of Everything

Metering modes
 -  Matrix
 -  Average
 -  Center weighted
 -  Spot or semi-spot

Taking Meter Readings
 -  Expose for your subject
 -  Sunsets and sunrises
 -  Reflecting sun
 -  Night Exposures
 -  Moon
 -  Green Foliage
 -  Bright or White Scenes
 -  Dark or Black Scenes

Understanding Your Histogram
 -  Flash Metering

Composition

Lead in The Viewer Eye
 -  Point of Focus
 -  Fill the frame
 -  The Rule of Thirds
 -  Moving Subjects
 -  Print and frame Sizes

Different Styles

Learn by doing
 -  Giving and Getting Critique
 -  Portraits
 -  Groups
 -  Children
 -  Shooting Outdoors
 -  Silhouettes
 -  Macro
 -  Products
 -  Landscapes
 -  Sports and Action
 -  Panning
 -  Rear Sync Flash
 -  Abstract
 -  Long Exposures
 -  Black and White

A few Other Useful Things
 -  Blown Out Skies
 -  Neutral Density Filters
 -  Polarizing Filters
 -  Electronic noise

You're Half Way There!

Part III The Digital darkroom

 -  Computer hardware
 -  Card Reader
 -  Printers
 -  Mouse

Post Processing
 -  The Ethics of Altering
 -  Choosing Your Program

 -  Tutorials
 

Photoshop Tutorials
 Photoshop Primer
 Saving Your Image
 Adding a Border
 Using Levels
 Using Curves
 The S-Curve
 Correcting White Balance
 Improving Saturation
 The Clone Tool
 Correcting Lens Distortion
 Blending Multiple Images
 Black and White Conversion
 Sepia Conversion
 Reducing Noise
 Cropping for Different Print Sizes
 Sharpening
 Working With RAW Files
 

The Gimp Tutorials
 The Gimp Primer
 Saving Your Image
 Adding a Border
 Using Levels
 Using Curves
 The S-Curve
 Correcting White Balance
 Improving Saturation
 The Clone Tool
 Correcting Lens Distortion
 Blending Multiple Images
 Black and White Conversion
 Sepia Conversion
 Reducing Noise
 Cropping for Different Print Sizes
 Sharpening
 Working With RAW Files
 
<< Flash Metering The Rule of Thirds >>

Composition



There are no rules for good photographs, there are only good photographs.” ~Ansel Adams “


How a photo is composed depends on your subject and how you hope to capture it. Photography is a form of art so while we will discuss various rules to help never be afraid to try something your own way. Try to find your own vision and express what you see.

Composition is affected sometimes by the slightest change in viewpoint. A few inches to the left or right can make the difference between a disappointing shot and what you hoped to achieve. Look through the viewfinder and try different positions before taking your picture. Watch how the changing view points affect the composition.

Tip: When you find a scene worth shooting, stop. Don't get your camera out right away. Sit and look at it for a few minutes and consider what is that had captured your interest. Break it down into elements and then decide how best to compose those elements. Give your subject the time it deserves.


Lead in The Eye
Let your viewer's eye be led into the image. There are many ways to do this; with foreground, mid and background, depth of field or elements of the composition such as roads, rivers or fence lines etc.





The image on the left uses a short DOF to keep only one flower in focus. There is also a curve to the layout of the flowers that helps to draw the eye up and through the image. The rice field photo on the right has an interesting curved shaped, that again draws your eye up to the traditional Japanese farmers house.


Point of Focus
Leading your eye into a strong point of focus or main subject can produce striking results too. Avoid having too many elements to your picture as the clutter will detract from the photos impact. Backgrounds that appear cluttered are often referred to as noisy, likening the effect to that of a buzz on a sound recording. If you do include other items in your composition, make sure they compliment the subject rather than detract from it.


Fill the Frame
Solve a tricky composition problem and concentrates the scene on the subject



The man on the right is cooking in a messy kitchen that added little merit to the photo. I was interested in the tattoos on his back so, with his permission, moved in closer to remove the distracting elements.



<< Flash Metering



The Rule of Thirds >>



All Content on this site © 2007 Simon Andrews
Please ask for permission before reproducing GoingManual.com content in any way