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Photography Tutorial

Introduction

Part I – Gear

The Camera
 -  Focus
 -  Resolution
 -  MegaPixels Vs Print Size
 -  Sharpening

Semi auto settings
 -  Aperture Priority (Av)
 -  Shutter priority (Tv)

Zoom and Focal Length
 -  A Note About Sensor Size

Other Camera Features
 -  Viewfinders
 -  Lens Hood
 -  LCD screen
 -  White Balance

Extra Equipment
 -  Tripod
 -  Cable Release
 -  Filter systems
 -  Polarizer and ND filter
 -  External Flash
 -  Studio Lighting
 -  Reflectors

Part II – Capturing The Scene

Your First Manual Photo
 -  It's All About Exposure
 -  The Light Meter
 -  Exposure Explained
 -  Controlling Exposure

Creative Effects
 -  Aperture and Depth Of Field
 -  DOF Preview
 -  Shutter speed

Putting it all Together
 -  ISO
 -  Ap. & Shutter Relationship
 -  Stop for a minute
 -  So What?
 -  The Bulb Setting

Metering the Scene
 -  18% of Everything

Metering modes
 -  Matrix
 -  Average
 -  Center weighted
 -  Spot or semi-spot

Taking Meter Readings
 -  Expose for your subject
 -  Sunsets and sunrises
 -  Reflecting sun
 -  Night Exposures
 -  Moon
 -  Green Foliage
 -  Bright or White Scenes
 -  Dark or Black Scenes

Understanding Your Histogram
 -  Flash Metering

Composition

Lead in The Viewer Eye
 -  Point of Focus
 -  Fill the frame
 -  The Rule of Thirds
 -  Moving Subjects
 -  Print and frame Sizes

Different Styles

Learn by doing
 -  Giving and Getting Critique
 -  Portraits
 -  Groups
 -  Children
 -  Shooting Outdoors
 -  Silhouettes
 -  Macro
 -  Products
 -  Landscapes
 -  Sports and Action
 -  Panning
 -  Rear Sync Flash
 -  Abstract
 -  Long Exposures
 -  Black and White

A few Other Useful Things
 -  Blown Out Skies
 -  Neutral Density Filters
 -  Polarizing Filters
 -  Electronic noise

You're Half Way There!

Part III The Digital darkroom

 -  Computer hardware
 -  Card Reader
 -  Printers
 -  Mouse

Post Processing
 -  The Ethics of Altering
 -  Choosing Your Program

 -  Tutorials
 

Photoshop Tutorials
 Photoshop Primer
 Saving Your Image
 Adding a Border
 Using Levels
 Using Curves
 The S-Curve
 Correcting White Balance
 Improving Saturation
 The Clone Tool
 Correcting Lens Distortion
 Blending Multiple Images
 Black and White Conversion
 Sepia Conversion
 Reducing Noise
 Cropping for Different Print Sizes
 Sharpening
 Working With RAW Files
 

The Gimp Tutorials
 The Gimp Primer
 Saving Your Image
 Adding a Border
 Using Levels
 Using Curves
 The S-Curve
 Correcting White Balance
 Improving Saturation
 The Clone Tool
 Correcting Lens Distortion
 Blending Multiple Images
 Black and White Conversion
 Sepia Conversion
 Reducing Noise
 Cropping for Different Print Sizes
 Sharpening
 Working With RAW Files
 
<< The S-Curve Improving Saturation >>

Correcting White Balance

Adjusting White Balance

Our minds compensate for slight variations when colors are out of balance. Sometimes when we later look at a photo on a computer there is another color cast over it. This is often seen with different types of lighting. Tungsten lighting can give an orange cast and florescent lights a greenish tint. Colored walls also can impart their colors especially when using flash.

It is possible to set the white balance in camera, before you take the picture, consult your manual to see how. Traditionally, film photographers used filters to try to compensate but we can remove it in a number of ways in post processing.

If you're shooting in RAW then the color cast can be dealt with in the conversion to Jpeg. Please read the RAW conversion tutorial to find out more. If you're shooting Jpeg then we can remove the color cast in post processing.

There are several ways to remove the color cast. All require a little practice as they reply on your opinion that the color is correctly balanced.


Correcting White Balance in Photoshop

Take 1






  • Open your image, 'File>Open'.
  • This product photo was taken in Jpeg, in a home made light tent using a sheet as a diffuser and 3 halogen table lights.
  • The white background isn't really white and has a tint.
  • It's important to develop the skill of detecting what color is tinting the photo. In this photo the white background makes it easier to tell there is a red/orange cast.

  • Open a new levels or curves adjustment layer dialog window, 'Layers>New Adjustment Layer> Levels' (see the Layers or Curves tutorial).
  • Notice the 3 eyedropper tools. The left one can be used to determine the black point, the middle for the 18% gray and the right for pure white.
  • Select a point on the image that you believe should be pure white.
  • Select the white eyedropper, move it to the relevant area and click.

  • If you we're lucky enough the color cast will disappear. If not click another area and experiment to see if it's going to work.
  • You can experiment with the black and gray droppers too.

    Not all images have an area that should be pure white, so this won't always work but its a handy first step.

    If you're happy at this point, flatten and save.


Take 2





  • I'll assume the above didn't work. Delete your adjustment layer and we can try something else.
  • Open a new Color Balance adjustment Layer, 'Layers>New Adjustment Layer> Color balance'
  • You should have already tried to determine the color of the cast.
  • You have a choice of moving 3 sliders between 6 colors.
  • In our example the image has a reddish/orange tint.
  • Move the Red/Cyan slider away from Red until the red cast is gone.
  • This reveals a slight greenish cast so move the Green/Magenta away from Green
  • It now looks a little yellow so move the Yellow/Blue slider away from Yellow.
  • You can adjust the mid tones and highlights using the selection in the tone balance area.
  • You may need to play with the three sliders until you reach a color balance you're happy with.

  • If necessary use a level or curve adjustment layer (see tutorial)
  • As it hard to tell at first if you've got it right, it helps to get a second opinion at this point.
  • Flatten and save.

    A handy tip is to open a new document and add some colors to use a reference.

    You can copy and paste it onto a new layer on your photo and delete it when you're done, Use any colors that will help you get you adjustments right.



    Timesaving Tip
    If you take multiple photos in the same light conditions, save your work before flattening as a PSD, Photoshop's native file type. You can then open your next photo and copy, ('Select>All' then 'Edit>Copy'). Open you PSD, select the original photo layer and paste, 'Edit>paste', the new photo beneath your adjustment layers and the color balance will be corrected.







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<< The S-Curve



Improving Saturation >>



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